Icons in music: A Peircean rationale
Identifieur interne : 000053 ( Main/Exploration ); précédent : 000052; suivant : 000054Icons in music: A Peircean rationale
Auteurs : José Luiz MartinezSource :
- Semiotica [ 0037-1998 ] ; 1996.
English descriptors
- Teeft :
- Absolute music, Acoustic, Acoustic features, Acoustic qualities, Acoustical phenomena, Actual occurrence, Allegorical reference, Baroque composers, Basic trichotomies, Charles peirce, Conventional meaning, Diagrammatic, Diagrammatic representation, Dicent, Dicent sinsign, Dynamic interpretant, Dynamic object, Dynamical, Dynamical interpretant, Dynamical object, Dynamical objects, Eero tarasti, Emotional level, Equivalent sign, Fantastic symphony, Final interpretant, First kind, First rank, Formal qualities, Greatest importance, Harvard university, Harvard university press, Icon, Iconic, Iconic representation, Iconic representations, Iconic sign, Iconic signs, Immediate object, Important features, Indiana university press, Inner sphere, Inner surface, Interpretant, Interpretants, Joseph ransdell, Kepler, Likeness, Main concern, Martinez, Materiality, Movement qualities, Musical analysis, Musical composition, Musical cultures, Musical hypoicons, Musical icons, Musical images, Musical instruments, Musical interpretation, Musical materiality, Musical meaning, Musical metalanguage, Musical metaphor, Musical metaphors, Musical mimicry, Musical phaneron, Musical piece, Musical representation, Musical semiosis, Musical semiotics, Musical sign, Musical signification, Musical signs, Musical studies, Musical system, Musical universe, Other hand, Outer surface, Pastoral symphony, Peirce, Peirce sesquicentennial, Peircean, Peircean semiotic theory, Peircean semiotics, Possible interpretants, Possible objects, Potential iconic sign, Primitive music, Primordial sound, Program music, Pure icon, Pure icons, Qualisign, Ransdell, Rasa theory, Representative character, Santaella braga, Second movement, Semiosis, Semiosis relata, Semiotic, Semiotic analysis, Semiotic theory, Semiotica, Semiotics, Sign classes, Signification, Similar qualities, Sinsign, Sixth symphony, Smoke tobacco, Sound qualities, Sound quality, Special issue, Speculative music, Third kind, Third movement, Triadic nature, Trichotomy, Western music.
Url:
DOI: 10.1515/semi.1996.110.1-2.57
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Icons in music: A Peircean rationale</title><author wicri:is="90%"><name sortKey="Martinez, Jose Luiz" sort="Martinez, Jose Luiz" uniqKey="Martinez J" first="José Luiz" last="Martinez">José Luiz Martinez</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:D40645C5D918731FC0347C24FDE34840D2E4C40C</idno><date when="2009" year="2009">2009</date><idno type="doi">10.1515/semi.1996.110.1-2.57</idno><idno type="url">https://api.istex.fr/document/D40645C5D918731FC0347C24FDE34840D2E4C40C/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000736</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000736</idno><idno type="wicri:Area/Main/Curation">000724</idno><idno type="wicri:Area/Main/Exploration">000053</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Exploration">000053</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Icons in music: A Peircean rationale</title><author wicri:is="90%"><name sortKey="Martinez, Jose Luiz" sort="Martinez, Jose Luiz" uniqKey="Martinez J" first="José Luiz" last="Martinez">José Luiz Martinez</name></author></analytic><monogr></monogr><series><title level="j">Semiotica</title><title level="j" type="abbrev">Semiotica</title><idno type="ISSN">0037-1998</idno><idno type="eISSN">1613-3692</idno><imprint><publisher>Walter de Gruyter, Berlin / New York</publisher><pubPlace>Berlin, New York</pubPlace><date type="published" when="1996">1996</date><biblScope unit="volume">110</biblScope><biblScope unit="issue">1-2</biblScope><biblScope unit="page" from="57">57</biblScope><biblScope unit="page" to="86">86</biblScope></imprint><idno type="ISSN">0037-1998</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0037-1998</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Absolute music</term><term>Acoustic</term><term>Acoustic features</term><term>Acoustic qualities</term><term>Acoustical phenomena</term><term>Actual occurrence</term><term>Allegorical reference</term><term>Baroque composers</term><term>Basic trichotomies</term><term>Charles peirce</term><term>Conventional meaning</term><term>Diagrammatic</term><term>Diagrammatic representation</term><term>Dicent</term><term>Dicent sinsign</term><term>Dynamic interpretant</term><term>Dynamic object</term><term>Dynamical</term><term>Dynamical interpretant</term><term>Dynamical object</term><term>Dynamical objects</term><term>Eero tarasti</term><term>Emotional level</term><term>Equivalent sign</term><term>Fantastic symphony</term><term>Final interpretant</term><term>First kind</term><term>First rank</term><term>Formal qualities</term><term>Greatest importance</term><term>Harvard university</term><term>Harvard university press</term><term>Icon</term><term>Iconic</term><term>Iconic representation</term><term>Iconic representations</term><term>Iconic sign</term><term>Iconic signs</term><term>Immediate object</term><term>Important features</term><term>Indiana university press</term><term>Inner sphere</term><term>Inner surface</term><term>Interpretant</term><term>Interpretants</term><term>Joseph ransdell</term><term>Kepler</term><term>Likeness</term><term>Main concern</term><term>Martinez</term><term>Materiality</term><term>Movement qualities</term><term>Musical analysis</term><term>Musical composition</term><term>Musical cultures</term><term>Musical hypoicons</term><term>Musical icons</term><term>Musical images</term><term>Musical instruments</term><term>Musical interpretation</term><term>Musical materiality</term><term>Musical meaning</term><term>Musical metalanguage</term><term>Musical metaphor</term><term>Musical metaphors</term><term>Musical mimicry</term><term>Musical phaneron</term><term>Musical piece</term><term>Musical representation</term><term>Musical semiosis</term><term>Musical semiotics</term><term>Musical sign</term><term>Musical signification</term><term>Musical signs</term><term>Musical studies</term><term>Musical system</term><term>Musical universe</term><term>Other hand</term><term>Outer surface</term><term>Pastoral symphony</term><term>Peirce</term><term>Peirce sesquicentennial</term><term>Peircean</term><term>Peircean semiotic theory</term><term>Peircean semiotics</term><term>Possible interpretants</term><term>Possible objects</term><term>Potential iconic sign</term><term>Primitive music</term><term>Primordial sound</term><term>Program music</term><term>Pure icon</term><term>Pure icons</term><term>Qualisign</term><term>Ransdell</term><term>Rasa theory</term><term>Representative character</term><term>Santaella braga</term><term>Second movement</term><term>Semiosis</term><term>Semiosis relata</term><term>Semiotic</term><term>Semiotic analysis</term><term>Semiotic theory</term><term>Semiotica</term><term>Semiotics</term><term>Sign classes</term><term>Signification</term><term>Similar qualities</term><term>Sinsign</term><term>Sixth symphony</term><term>Smoke tobacco</term><term>Sound qualities</term><term>Sound quality</term><term>Special issue</term><term>Speculative music</term><term>Third kind</term><term>Third movement</term><term>Triadic nature</term><term>Trichotomy</term><term>Western music</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader></TEI><affiliations><list></list><tree><noCountry><name sortKey="Martinez, Jose Luiz" sort="Martinez, Jose Luiz" uniqKey="Martinez J" first="José Luiz" last="Martinez">José Luiz Martinez</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DiesIraeV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000053 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000053 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DiesIraeV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:D40645C5D918731FC0347C24FDE34840D2E4C40C
|texte= Icons in music: A Peircean rationale
}}
| This area was generated with Dilib version V0.6.33. |  |